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| On the Significance of Artistic Conception to the Construction of Ontological Aesthetics of Chinese TV Series ——Starting from the Different Publicities of “The Legend of Zhen Huan”and “The Legend of Mi Yue” |
| Yue Xiaoying |
| School of Arts, Southeast University, Nanjing 211189, China |
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Abstract Yi Jing or “artistic conception” is the core category of Chinese classical aesthetics. Creating artistic conception has always been the central and ultimate aesthetic pursuit of Chinese classical artistic creation and criticism, and the embodiment of the unique cultural concept and cosmic cognition of the Chinese nation. How to use the “artistic conception” to guide the creation of TV series and to explore their ontological aesthetics is an important subject in the related field. Compared with “The Legend of Mi Yue”, “The Legend of Zhen Huan” has gained more acceptance from the audience because it pays attention to the creative skills of “turning reality into fiction and combining reality with fiction” in the design of lines, roles and plots. In the fierce competition in the global TV series market, if Chinese TV series can consciously refine the “aesthetic realm” of daily life in the process of “Aestheticism of Daily Life”, drawing on the skills and means of creating “artistic conception” of Chinese literature and art, it not only helps with highlighting its unique aesthetic character, but also is a way to inherit the essence of national culture and highlight our cultural personality in the field of TV series creation.
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2018, Vol. 20 
